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Lacquered wood offering centerpiece, 'Khantok'

Product ID: U483476

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Lacquered wood offering centerpiece, 'Khantok'

4.9 (artist rating)

Delivery Estimate

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

Mystic in conception and antique in artistry, this lacquer khantok offering tray exudes solemn elegance and tradition. Nantana Sompamitre works alongside her trained artisans to create this piece, and they seek to preserve Thailand's kruang-kern, or "lacquerware heritage."

"This piece is inspired by the people's faith in Buddhism and their ceremonies," explains Sompamitre. "This is the real character of Lanna people, it represents this rich culture of ours."

To craft a piece such as this one, mango wood is carefully hand-shaped upon a lathe and then a mixture of lacquer - obtained from trees and ashes of burnt rice paddy husks - is applied. Upon exposure to air the mixture dries to form a watertight seal which is polished before another coat is applied. This process is repeated up to twenty times, building up a rigid base, and a final polish is given with a sandpaper-like leaf. Then up to six coats of pure lacquer are painted on the object, with drying periods in between each coat. The final layer is washed with water and polished with powdered fired clay, giving it a gleaming shine. Next a gilding technique called lai rot nam (watered pattern), is applied whereby it is firstly engraved free-hand with a sharp-pointed tool, and then the piece is dusted with a wooden powder. The black background is covered with a yellow gummy paint, which comes from a tree resin that has been placed in water for a day. After that, a thin coat of lacquer is applied to the entire surface and, before it dries, gold leaf is placed over it. The piece is then left to dry for approximately 20 hours. Finally the whole lacquer ware is thoroughly rinsed in water rinsing out impurities or unattached gold leaf. The result is a piece of rich artistry where shimmering gold engraved designs contrast against a high-gloss black background.

Made in Thailand

  • Mango wood
  • For decorative use only
  • Do not use abrasives
  • Clean with a soft, dry cloth
  • Free Gift Wrap? No
  • Premium Gift Wrap? No
  • 2.19 kgs
  • 4.8 lbs
  • 20.5 cm H x 39 cm Diam.
  • 8" H x 15.25" Diam.
View in metric units View in US/English units

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Nantana Sompamitre

Meet the Artist

Artfully crafted by Nantana Sompamitre from Thailand.

 

Meet the Artist

Nantana Sompamitre

Nantana Sompamitre

4.9 (artist rating)

"It's all up to chance – it's up there in the air and you just have to grab it. If I hadn't, I would still be selling food."

"My name is Nantana Sompamitre and you can call me 'Nan.' I was born on May 1, 1950 in a calm and peaceful village in... northern Thailand. My family is large; I have eight brothers and sisters. We are a family of artisans. Instead of going to the fields, my father and mother made the umbrella's topknot. My father is a craftsman and was always teaching us. My brothers and sisters helped our parents in one way or another in the running of their business. I am the one who was able to make the shape of the knot. I started helping my parents when I was 13 years old but quit when I was 17. At that time I had just graduated from high school and I wanted to do something more to help my parents. Fortunately, my cousin had a food shop and I became a vendor. Under good conditions this is generally a good line of work, and eventually I met my husband. He is the man who changed my life completely.

"He is an artisan working on lacquer ware. His main job was to paint the motifs on the different pieces. We married when I was 23 years old. One day, my husband and I discussed our future and we realized that with his skill and mine, we could open up our own lacquer ware workshop. He taught me every step involved in the creation of lacquer ware. Thanks to my crafting background I learned quickly and within a year I took part in every step of the creation process, even hand-painting the motifs. We then needed to become known yet. My husband and I went to Bangkok and got our first consignment order! Gradually more shops took an interest in our work and we soon began to sell more, so we were very happy as we could see we had a bright future ahead of us.

"Now we have more than 30 artisans working with us, and my husband and I always train them personally. This is my most proudest thing in life. I never dared to dream of a day like this. I would not have made this on my own. It's all up to chance – it's up there in the air and you just have to grab it. If I hadn't, I would still be selling food.

"I love this craft very much. It is a Thai heritage and not everyone can do it. My work is always developing in quality, color, shape and design. We all work together as a team and everyone presents his or her own idea.

"I have a son and a daughter. My son is 26 and studies computer engineering at the state university and my daughter has just graduated in business management. They are my hope and thanks to our handicrafts, I think they will be successful in life.

"I think you are the best channel in this day and age to show who you are and what you are doing. You will help my handcrafts be known around the world for the people who love this kind of work. What more can I ask for? Thank you and I hope everybody loves my handcrafts too!"

To craft her designs, the wood is carved into the desired shape. Then it is coated with lacquer, which is derived from the Gluta usitata tree and ashes. It is dries to form a watertight seal that is polished, and another coat is applied. This process is repeated up to twenty times before as many six coats of pure lacquer are applied. The final layer is polished to a shine with powdered fired clay. Next, eggshells are cleaned and cracked into small pieces. Sompamitre arranges them in the desired pattern on fresh coat of lacquer. The tray is lacquered twice more and sanded in water until the eggshells slowly appear.

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
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WAIST

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LOW WAIST

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HIPS

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NECK

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SLEEVE

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INSEAM

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For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

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