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Ceramic Russet and Beige Bird Decorative Flute from Mexico, 'Parakeet'

Product ID: U56201

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Ceramic Russet and Beige Bird Decorative Flute from Mexico, 'Parakeet'

5.0 (artist rating)

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

Soaring with song, this ceramic flute in the shape of a parakeet makes an excellent conversation piece for your home or office. Handcrafted by the Angel Ceron Artisan Association of Mexico, the russet and beige bird has a hollow body. Blow into the hole at the tip of the tail to get a lovely sound, and change the notes by covering one or more of the holes in the bird's wings.

Made in Mexico

  • Ceramic
  • Not a toy. Not intended for use by children age 12 or under.
  • Signed by the artist
  • Instrument Rating: Decorative quality, intended only as a conversation piece
  • Hand-crafted item -- color, size and/or motif may vary slightly
  • Free Gift Wrap? No
  • Premium Gift Wrap? Yes
  • 0.22 kgs
  • 0.5 lbs
  • 12 cm H x 8 cm W x 15 cm D
  • 4.7" H x 3.1" W x 6" D
View in metric units View in US/English units

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Angel Ceron Artisan Association

Meet the Artist

Artfully crafted by Angel Ceron Artisan Association from Mexico.

 

Meet the Artist

Angel Ceron Artisan Association

Angel Ceron Artisan Association

5.0 (artist rating)

"Now that I'm retired, I can dedicate my time to my great passion – representing my pre-Hispanic cultural heritage."

UpdateSadly, we lost Angel Ceron to cancer in 2022, at the age of 69. The master artisans with whom he worked closely... Update

Sadly, we lost Angel Ceron to cancer in 2022, at the age of 69. The master artisans with whom he worked closely (Angel names them each below) today continue his impressive work, upholding his legacy as the Angel Ceron Artisan Association.

Previous Update

"I've been working hand-in-hand with you since 2003. It was my nephew, Eduardo Escamilla, who suggested this, and I found the project to be spectacular. As you may know, I'm an engineer by profession but I feel an overwhelming passion for our pre-Hispanic cultures. This is what led me to create my own representations of the deities from our past. This has been a process in which, together with my family, we've continuously perfected our designs and this is also because I love perfection.

"Thanks to all of you, I was able to become more independent and offer work to more families who assist me. Together with my nephew Eduardo, I've increased the number of designs so that our collection shows a wide range of sculptures.

"One of the most significant challenges I've had to face was my battle with cancer. Unfortunately, it's come back even more intensely, but every member of my family has always been with me. Sadly, my cancer is terminal now, and my family is always by my side.

"Today, my health prevents me from looking after each detail of my work, as I always used to. But the artisans who assist me in the workshop are some of the finest talents in Mexico."

The Angel Ceron Artisan Association is composed of Milton González, Emilio Espejel, Brian Gonzalez, Isaac Espejel, Adrian Gonzalez, Josefina Claudio, Jorge Esparza, Saul Landon, Mauricio Hernandez, Guadalupe Lopez, Magdalena Torres, and Erick Contreras. Everyone is charged with a type of sculpture and specializes in a particular technique.

Original Artisan Story

Angel Cerón comes from a family with generations of artisan experience. He learned the family ceramic techniques from his father, Antonio Cerón Orta, a renowned artisan. Angel began a long study of Mexico's pre-Hispanic cultures and learned the Nahuatl language spoken in ancient Mesoamerica.

First the proper materials must be acquired. Cerón uses clay from northern Oaxaca state, the only clay of this kind in Mexico and perhaps in the world. The unique characteristics of this yellow clay make it ideal for molding. It dries evenly and is especially hard, thus it is resistant to impact and can withstand very high temperatures.

The clay is ground in a mill, deposited in tubs of water and stirred constantly until it acquires a homogeneous consistency. This step can take hours. Left to stand for three days, it remains a thick liquid. Cerón strains it and lets it repose one more day, although during the winter this is hard work, performed in the open air. The blocks are divided into smaller portions and dried in the sun for several hours. Only a qualified artisan can determine when the clay has reached the proper consistency. Then it is kneaded by hand, much as one kneads bread dough, and again it is the skilled artisan who can tell when it is ready to be worked.

Cerón then begins to shape his sculptures, some more complex than others. The details are created totally by hand and some figures are so complicated that they are absolutely unique or part of limited editions. Each piece is modeled by hand and the artisan's talent is a crucial factor.

Once shaped, the sculptures dry as long as needed, some for as long as a week. They must dry in the shade because the clay might split and crack in the sun. Once dry, they are adorned with mineral pigments and high-fired at temperatures of up to 2,327º F for eight to twelve hours, depending on the season (the kilns are located outdoors). After firing, the pieces need to stand for six hours, cooling gradually.

Finally, they receive a bath of earth to give them their unique antique effect, which features slight cracks.

Now that I'm retired, I can dedicate my time to my great passion – representing my pre-Hispanic cultural heritage, Cerón says.

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Return instructions

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This item is available for backorder and will ship within 2 to 8 weeks. Artists love to get backorders. Placing a backorder ensures that the artisan will do their best to create and deliver your item to our local office for shipment.

Although we cannot guarantee availability, we do expect to be able to fill the order within the timeframe indicated. But sometimes life happens - special materials may not be immediately available to the artist, or there might be some other circumstance beyond our control that could delay the shipment.

If for any reason we are unable to ship the item within the timeframe indicated, we will notify you.

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
FINDING YOUR SIZE

Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.

BUST / CHEST

Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.

WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

DOWNLOAD

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