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Cedar Wood and Leather Rearing Bay Horse Sculpture from Peru, 'Rearing Buttermilk Horse'

Product ID: U56261

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Cedar Wood and Leather Rearing Bay Horse Sculpture from Peru, 'Rearing Buttermilk Horse'

Delivery Estimate

This item is available for pre-order and will ship within 2 to 4 weeks. Learn More

Available in 2 to 4 weeks. Learn More

Details

Rearing on its hind legs, a majestic horse with buttermilk markings is revered in this sculpture from Peru. Fernando Castro carves the restive steed from cedar wood that is given different treatments that result in distinct shades of brown. A handmade leather saddle, bridle and tack add realism.

Made in Peru

  • Cedar wood, leather
  • Hand-crafted item -- color, size and/or motif may vary slightly
  • Free Gift Wrap? No
  • Premium Gift Wrap? No
  • 0.64 kgs
  • 1.4 lbs
  • 36 cm H x 12 cm W x 28 cm D
  • 14.25" H x 4.7" W x 11" D
View in metric units View in US/English units

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Fernando Castro

Meet the Artist

Artfully crafted by Fernando Castro from Andes.

 

Meet the Artist

Fernando Castro

Fernando Castro

"My parents were masters of their art and are part of what motivates me to do the work I do."

"I'm Fernando Castro Perez. I was born in Lima, our great capital. I consider myself and a hardworking and organized... man. I'm respectful with others and believe it's possible to overcome our obstacles if we put our minds to it.

"I try to find a smile in every situation, no matter how adverse. I'm passionate about my art, and each fine detail requires patience and my best efforts.

"Together with my family, I've faced some very complicated situations, especially during a period of hyperinflation when price increases were out of control, At the same time, our currency suffered a devaluation. Our home — like that of all Peruvians — was greatly affected. We bought only the most basics products and sacrificed a great deal during this economic crisis. We almost abandoned our woodcarving and walked away from everything because things were going so bad, and it was tough to sustain a situation as difficult as what we faced.

"All this was only one of the many challenges we had to face, not just in our personal and family life, but also in our woodcarving. We had to find a way to let it be seen, And our income wasn't enough to sustain our workshop. Yet, while it challenged is, it also offered an opportunity to grow as an artist and look at other possibilities in the world of art.

"My parents were my great teachers who instilled this art in me from the time I was just a boy. On my own, I learned to select the wood and, little by little, mastered all the finer details of woodcarving. Clearly, I had some talent that I'd developed since childhood when I'd spend my free time in the workshop. Together with my family, I was always focused on my goals and objectives with ingenuity, intelligence and, above all, with creativity.

"One of my greatest dreams is to set up an art school to share my skills and teach young people from low-income families — from my own community and from anywhere in the world. I want to help them be able to take up this noble art form that has brought me such happiness. To master the woodcarving art, you need a lot of patience. You need to read, to study, to train. But above all, you need to feel much love and passion for what you do. This is the only way to do things well and enjoy it along the way.

"I especially enjoy setting my imagination free, and also the challenge in making figures I've never made before. This is a challenge that inspires me to demand more of myself and it's very exciting.

"Mi inspiration comes from the beauty of my Peruvian culture in honor of our ancestors who left their artistic heritage through works of art that we can still enjoy today.

"I'm convinced that hard work, constancy and perseverance can achieve wonderful results. My parents were masters of their art and are part of what motivates me to do the work I do. Over time, I've been able to perfect it and develop a style of my own while perpetuating my family's legacy and tradition."

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Return instructions

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This item is available for backorder and will ship within 2 to 4 weeks. Artists love to get backorders. Placing a backorder ensures that the artisan will do their best to create and deliver your item to our local office for shipment.

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
FINDING YOUR SIZE

Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.

BUST / CHEST

Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.

WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

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