Experts in pre-Hispanic art, artisans from the Angel Cerón Artisan Association replicate this extraordinary statuette of Aztec-Mixtec origin. Dated 1325–1521 AD, a brave warrior holds a quetzal gently in his hand as the bird's long green tail cascades over his arm. Working with yellow clay from Oaxaca, the artisans sculpt this museum replica with magnificent details. Includes a stand.
"Now that I'm retired, I can dedicate my time to my great passion – representing my pre-Hispanic cultural heritage."
UpdateSadly, we lost Angel Ceron to cancer in 2022, at the age of 69. The master artisans with whom he worked closely...Update
Sadly, we lost Angel Ceron to cancer in 2022, at the age of 69. The master artisans with whom he worked closely (Angel names them each below) today continue his impressive work, upholding his legacy as the Angel Ceron Artisan Association.
Previous Update
"I've been working hand-in-hand with you since 2003. It was my nephew, Eduardo Escamilla, who suggested this, and I found the project to be spectacular. As you may know, I'm an engineer by profession but I feel an overwhelming passion for our pre-Hispanic cultures. This is what led me to create my own representations of the deities from our past. This has been a process in which, together with my family, we've continuously perfected our designs and this is also because I love perfection.
"Thanks to all of you, I was able to become more independent and offer work to more families who assist me. Together with my nephew Eduardo, I've increased the number of designs so that our collection shows a wide range of sculptures.
"One of the most significant challenges I've had to face was my battle with cancer. Unfortunately, it's come back even more intensely, but every member of my family has always been with me. Sadly, my cancer is terminal now, and my family is always by my side.
"Today, my health prevents me from looking after each detail of my work, as I always used to. But the artisans who assist me in the workshop are some of the finest talents in Mexico."
The Angel Ceron Artisan Association is composed of Milton González, Emilio Espejel, Brian Gonzalez, Isaac Espejel, Adrian Gonzalez, Josefina Claudio, Jorge Esparza, Saul Landon, Mauricio Hernandez, Guadalupe Lopez, Magdalena Torres, and Erick Contreras. Everyone is charged with a type of sculpture and specializes in a particular technique.
Original Artisan Story
Angel Cerón comes from a family with generations of artisan experience. He learned the family ceramic techniques from his father, Antonio Cerón Orta, a renowned artisan. Angel began a long study of Mexico's pre-Hispanic cultures and learned the Nahuatl language spoken in ancient Mesoamerica.
First the proper materials must be acquired. Cerón uses clay from northern Oaxaca state, the only clay of this kind in Mexico and perhaps in the world. The unique characteristics of this yellow clay make it ideal for molding. It dries evenly and is especially hard, thus it is resistant to impact and can withstand very high temperatures.
The clay is ground in a mill, deposited in tubs of water and stirred constantly until it acquires a homogeneous consistency. This step can take hours. Left to stand for three days, it remains a thick liquid. Cerón strains it and lets it repose one more day, although during the winter this is hard work, performed in the open air. The blocks are divided into smaller portions and dried in the sun for several hours. Only a qualified artisan can determine when the clay has reached the proper consistency. Then it is kneaded by hand, much as one kneads bread dough, and again it is the skilled artisan who can tell when it is ready to be worked.
Cerón then begins to shape his sculptures, some more complex than others. The details are created totally by hand and some figures are so complicated that they are absolutely unique or part of limited editions. Each piece is modeled by hand and the artisan's talent is a crucial factor.
Once shaped, the sculptures dry as long as needed, some for as long as a week. They must dry in the shade because the clay might split and crack in the sun. Once dry, they are adorned with mineral pigments and high-fired at temperatures of up to 2,327º F for eight to twelve hours, depending on the season (the kilns are located outdoors). After firing, the pieces need to stand for six hours, cooling gradually.
Finally, they receive a bath of earth to give them their unique antique effect, which features slight cracks.
Now that I'm retired, I can dedicate my time to my great passion – representing my pre-Hispanic cultural heritage, Cerón says.
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WOMEN
S
M
L
XL
XXL
4
6
8
10
12
14
16
18
20
22
BUST
35 - 36
37 - 38
39 - 41
42 - 44
46 - 48
WAIST
27 - 28
29 - 30
31 - 33
34 - 36
38 - 40
HIPS
37 - 38
39 - 40
42 - 43
45 - 46
49 - 50
MEN
S
M
L
XL
XXL
CHEST
36 - 38
39 - 41
42 - 44
46 - 48
50 - 52
WAIST
30 - 32
32 - 34
35 - 37
38 - 41
43 - 45
NECK
14 - 14.5
15 - 15.5
16 - 16.5
17 - 17.5
18 - 18.5
SLEEVE
32.5
33.5
34.5
35.5
36.5
FINDING YOUR SIZE
Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.
BUST / CHEST
Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.
WAIST
Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.
LOW WAIST
Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.
HIPS
Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.
NECK
Measure around the base of the neck keeping the tape measure comfortably loose.
SLEEVE
Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.
INSEAM
Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.
Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.
For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.
For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.
See buckle/tie belt size standards below.
WOMEN
S
M
L
XL
4
6
8
10
12
14
16
18
20
22
inches
26 - 30
28 - 32
31 - 35
34 - 38
38 - 42
cm
76 - 86
81.5 - 91.5
86.5 - 96.5
91.5 - 101.5
96.5 - 106.5
+/- tolerance: 0.5 inches or 1.25 cm
MEN
S
M
L
XL
XXL
inches
30 - 34
32 - 36
35 - 39
39 - 43
43 - 47
cm
81.5 - 91.5
86.5 - 96.5
91.5 - 101.5
96.5 - 106.5
109 - 119
+/- tolerance: 0.5 inches or 1.25 cm
Sash tie length
Lay sash/tie out flat away from the garment and measure from end to end.
Belt with buckle
Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.
Belt without buckle
Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.
Download our printable ring sizing chart to find the perfect fit!
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